Write the Same Room Twice
Put two characters in the same room and ask each of them to describe it in 150 words. One notices exits, invoices, and dust. Another notices the piano, the smell of oranges, and the photograph turned toward the wall.
Voice lives in selection. What a character notices tells us what they fear, value, remember, and misunderstand. (Closely related: third-person limited POV lives or dies on exactly this kind of selection.)
Give Them a Forbidden Word
Write a scene where the character must talk about grief, love, envy, or shame without naming it. The workaround will reveal rhythm and personality.
Some characters become precise. Some joke. Some lecture. Some change the subject. Those evasions are often more revealing than direct confession.
Build a Private Dictionary
List ten words or phrases this character would use often and ten they would never use. Include class markers, professional language, family phrases, and words borrowed from a place. (Muze Writer saves these in a Style panel beside the editor, so the AI suggestions stay in your character's register instead of drifting back to generic prose.)
Then revise a paragraph of narration through that dictionary. You do not need to over-season the prose. Even two or three specific choices can shift the whole register. (Fixing passive voice in fiction is often the same kind of selection problem at the sentence level.)
Let the Voice Change Under Stress
A strong voice is not fixed. Under stress, a controlled character may become clipped. A charming character may become cruel. A shy character may become startlingly direct.
Write one calm paragraph and one crisis paragraph from the same point of view. The contrast will show you the range of the voice.